The Society of the Spectacle
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Since 1967, Guy Debordâs critical manifesto âThe Society of the Spectacleâ has been an essentiel theoretical basis for any attempt to analyse the capitalist society of images that permeates every aspect of life in the Western world. We live in a continuous sensory bombardment of distractions that keep us in the role of passive consumers â a condition that has not exactly improved since the revolutionary 60s. What to do? And how do you film a notoriously complicated theory that attacks the very image itself? Artist Roxy Farhat and filmmaker Göran Hugo Olsson (âBlack Power Mixtape 1967-1975â) bring Guy Debordâs ideas into the 21st century. Guy Debordâs own (anti)films are given a modern counterpoint by satirical interventions in a visual work that is not afraid to criticise neither itself nor the cult around Debord and situationism.
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