Court-circuit nĀ° 180 ā Interview with MicheĢle Bokanowski
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MichĆØle Bokanowskiās sounds have been a distinct part of Patrick Bokanowskiās film images since 1972. The origin of her soundtracks often lies in noises that are quite unlike music. Thus, she uses the clacking of billiard balls to describe people working on a field in the distance. Between tape loops and electronic devices, the composer talks about her craft of shaping sonorous material.
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