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Paul Schrader
Writing
Biography
Paul Joseph Schrader (/ΛΚreΙͺdΙr/; born July 22, 1946) is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017), with the last of these earning him his first Academy Award nomination. Schrader's workβ¦
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Paul Joseph Schrader (/ΛΚreΙͺdΙr/; born July 22, 1946) is an American screenwriter, film director, and film critic. He first became known for writing the screenplay of Martin Scorsese's Taxi Driver (1976). He later continued his collaboration with Scorsese, writing or co-writing Raging Bull (1980), The Last Temptation of Christ (1988), and Bringing Out the Dead (1999). Schrader has also worked extensively as a director: his 23 films include Blue Collar (1978), Hardcore (1979), American Gigolo (1980), Mishima: A Life in Four Chapters (1985), Light Sleeper (1992), Affliction (1997), and First Reformed (2017), with the last of these earning him his first Academy Award nomination. Schrader's work frequently depicts "man in a room" stories which feature isolated, troubled men confronting an existential crisis. Raised in a strict Calvinist family, Schrader attended Calvin College before pursuing film studies at UCLA on the encouragement of film critic Pauline Kael. He then worked as a film scholar and critic, publishing the book Transcendental Style in Film: Ozu, Bresson, Dreyer (1972) before transitioning to screenwriting in 1974. The success of Taxi Driver in 1976 brought greater attention to his work, and Schrader began directing his own films, beginning with Blue Collar (co-written with his brother, Leonard Schrader). Schrader has described three of his recent films as a loose trilogy: First Reformed (2017), The Card Counter (2021), and Master Gardener (2022). Description above from the Wikipedia article Paul Schrader, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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BODY OF WORK
Paul Schrader's Filmography
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Best Served Cold: How a Revenge Film was Buried for Decades
as Himself
No Poster
Masterclass di Paul Schrader al Laceno d'Oro 48
as Self - filmmaker, guest

Ritratti di cinema
as Self

The Book of Harth
as Self

The Beauty of Horror: Paul Schrader on The Comfort of Strangers
as Self

Clapboard Jungle: Surviving the Independent Film Business
as Self

Paul Schrader: Man in a Room
as Self

What She Said: The Art of Pauline Kael
as Self

We Blew It
as Self

Taxi Driver: 40th Anniversary Cast Q&A
as Self

Dog Eat Dog
as El Greco

Ken San
as Self

Hitchcock/Truffaut
as Self

Venice 70: Future Reloaded
as Self (segment Paul Schrader)

Richard Pryor: Omit the Logic
as Self

Milius
as Self

Eames: The Architect and the Painter
as Self

Godard Made in USA
as Self

The Rules of Film Noir
as Self

Tales from the Script
as Self

Murnau, Borzage and Fox
as Self

Schrader's Exorcism
as Self

Influence And Appreciation: A Martin Scorsese Tribute
as Self

God's Lonely Man
as Self

Producing 'Taxi Driver'
as Himself

Film Noir: Bringing Darkness to Light
as Self

Budd Boetticher: A Man Can Do That
as Self

Raging Bull: Before the Fight
as Self
No Poster
MΓ€nner im Trenchcoat, Frauen im Pelz
as Self

Sam Peckinpah's West: Legacy of a Hollywood Renegade
as Self

Playboy: Sex at 24 Frames Per Second
as Self

A Decade Under the Influence
as Self

Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
as Self
No Poster
Cat People: An Intimate Portrait by Paul Schrader
as Self

Making 'Taxi Driver'
as Self

Birth of a Nation
as Self

Untitled: New Blue
as Himself (uncredited)

Talking with Ozu
as Self

Hollywood Mavericks
as Self

Preston Sturges: The Rise and Fall of an American Dreamer
as Self

Pictures of Europe
as Self

Inside Mishima
as Self

The Road to Bresson
as Self