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Martin Chambers
Acting
Biography
Martin Dale Chambers (born 4 September 1951) is an English musician, best known as a founding member and drummer of the rock band the Pretenders. In addition to playing the drums with the group, Chambers sings backing vocals (lead vocals on the song "Fast or Slow (The Law's the Law)", the B-side of the singles "2000 Miles" and "Show Me", which he also wrote) and plays percussion. He was part of the original band line-up, which also included Chrissie Hynde (vocals/guitar), James Honeyman-Scott (guitar/vocals/keyboards) and Pete Farndon (bass guitar/vocals). Hynde and Chambers are the only two surviving original members, and he has served two separate tenures with the group.
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Martin Dale Chambers (born 4 September 1951) is an English musician, best known as a founding member and drummer of the rock band the Pretenders. In addition to playing the drums with the group, Chambers sings backing vocals (lead vocals on the song "Fast or Slow (The Law's the Law)", the B-side of the singles "2000 Miles" and "Show Me", which he also wrote) and plays percussion. He was part of the original band line-up, which also included Chrissie Hynde (vocals/guitar), James Honeyman-Scott (guitar/vocals/keyboards) and Pete Farndon (bass guitar/vocals). Hynde and Chambers are the only two surviving original members, and he has served two separate tenures with the group. Description above from the Wikipedia article Martin Chambers, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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BODY OF WORK
Martin Chambers's Filmography
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Taylor Hawkins Tribute Concert
as Self

The Pretenders - Live in London
as Himself - drums, backing vocals, percussion

The Pretenders - With Friends
as Self - Drums

The Pretenders: Pirate Radio (1979-2005)
No Poster
The Pretenders: No Turn Left Unstoned
as Self

Pretenders - Loose in L.A.
as Himself - Drums
No Poster
Lilith on Top

Live Aid
as Self

Pretenders Live in Dortmund

Concerts for the People of Kampuchea
as Self
No Poster
The Pretenders: Live at KΓΆln

Punk and Its Aftershocks
as Self