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Mark Sandrich

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Mark Sandrich

Directing

πŸŽ‚ October 26, 1901πŸ“ New York City, New York, USAπŸ•―οΈ March 4, 1945 Β· Age 43

Biography

From Wikipedia, the free encyclopedia. Mark Sandrich (birth name: Mark Rex Goldstein) (October 26, 1900 – March 4, 1945) was a Jewish American film director, writer and producer. One of the most gifted and least heralded directors of the 1930s and early 1940s, Sandrich was an engineering student at Columbia University when he started the movie business by accident. When visiting a friend on a film set, he saw that the director had a problem in setting up a shot; Sandrich offered his advice. It worked. He then entered into the movies in the prop department, and became a director specializing in several comedy shorts in 1927. He then made his first feature the next year, but returned to shor…

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From Wikipedia, the free encyclopedia. Mark Sandrich (birth name: Mark Rex Goldstein) (October 26, 1900 – March 4, 1945) was a Jewish American film director, writer and producer. One of the most gifted and least heralded directors of the 1930s and early 1940s, Sandrich was an engineering student at Columbia University when he started the movie business by accident. When visiting a friend on a film set, he saw that the director had a problem in setting up a shot; Sandrich offered his advice. It worked. He then entered into the movies in the prop department, and became a director specializing in several comedy shorts in 1927. He then made his first feature the next year, but returned to shorts after the sound arrival. In 1933 he directed the Academy Award-winning short, So This Is Harris!. He later returned to feature films, most notably comedies, starring the team of Bert Wheeler and Robert Woolsey in Hips, Hips, Hooray!. In 1934, Sandrich soon got his first directing assignment on the Fred Astaire/Ginger Rogers musical The Gay Divorcee, which proved a success. The following year, he directed what is widely regarded as the best movie ever made by the legendary dance team, Top Hat, which excelled in every department, including music and choreography. It was all pulled together seamlessly by Sandrich. After that, several other movies such as Follow the Fleet, Shall We Dance, and Carefree followed. In 1940, Sandrich left RKO for Paramount, which offered him a chance to be not only a director but as well as a producer. He made other several successful films in this capacity, including two with Jack Benny, Buck Benny Rides Again and Love Thy Neighbor, both released in 1940, and the romantic comedy Skylark, starring Claudette Colbert and Ray Milland. However, while all these were hits, it was Holiday Inn in 1942 starring Fred Astaire and Bing Crosby, with music by Irving Berlin that showed Sandrich at his best. The musical/comedy actually started on the eve of America's entry into World War II. It featured sufficient serious overtones to capture the mood of the time, and showed Crosby and Astaire to brilliant advantage as performers who are rivals for the same woman; and it introduced the song "White Christmas", highlighted by the crooner Crosby which remained the biggest selling popular song in history for fifty-two years. So Proudly We Hail! was a Sandrich-produced and directed adaptation of the hit play. It was extremely popular and successful, and featured a pair of performers – Adrian Booth and George Reeves -- whom Sandrich had intended to bring to stardom after the war. However, it wasn't to be. In 1945, while in pre-production on a follow up to Holiday Inn called Blue Skies, starring Bing Crosby and featuring Irving Berlin's music, and serving as president of the Directors Guild, Sandrich died suddenly, of heart failure. He was at this time one of the most trusted and influential directors in Hollywood, respected by his colleagues and the studio management. His sons Mark Sandrich Jr. and Jay Sandrich have gone onto successful careers as directors. His interment was located at Home of Peace Cemetery. Description above from the Wikipedia article Mark Sandrich, licensed under CC-BY-SA,full list of contributors on Wikipedia.

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BODY OF WORK

Mark Sandrich's Filmography

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Here Come the Waves
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Here Come the Waves

1944⭐ 5.3

Director

I Love a Soldier
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I Love a Soldier

1944⭐ 6.0

Director

So Proudly We Hail
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So Proudly We Hail

1943⭐ 5.7

Director

Holiday Inn
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Holiday Inn

1942⭐ 7.0

Director

Skylark
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Skylark

1941⭐ 6.8

Director

Love Thy Neighbor
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Love Thy Neighbor

1940⭐ 7.3

Director

Buck Benny Rides Again
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Buck Benny Rides Again

1940⭐ 5.0

Director

Man About Town
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Man About Town

1939⭐ 4.5

Director

Carefree
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Carefree

1938⭐ 6.7

Director

Shall We Dance
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Shall We Dance

1937⭐ 7.3

Director

A Woman Rebels
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A Woman Rebels

1936⭐ 5.8

Director

Follow the Fleet
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Follow the Fleet

1936⭐ 6.9

Director

Top Hat
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Top Hat

1935⭐ 7.2

Director

The Gay Divorcee
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The Gay Divorcee

1934⭐ 6.9

Director

Cockeyed Cavaliers
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Cockeyed Cavaliers

1934⭐ 5.8

Director

Hips, Hips, Hooray!
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Hips, Hips, Hooray!

1934⭐ 7.0

Director

Aggie Appleby, Maker of Men
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Aggie Appleby, Maker of Men

1933⭐ 7.8

Director

So This Is Harris!
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So This Is Harris!

1933⭐ 5.4

Director

Melody Cruise
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Melody Cruise

1933⭐ 5.0

Director

The Gay Nighties
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The Gay Nighties

1933⭐ 4.2

Director

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The Druggist's Dilemma

1933⭐ 7.0

Director

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Jitters the Butler

1932⭐ 7.0

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The Millionaire Cat

1932⭐ 10.0

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The Iceman's Ball

1932⭐ 4.0

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A Slip at the Switch

1932

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Sight Seeing in New York

1931

Director

Scratch-As-Catch-Can
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Scratch-As-Catch-Can

1931⭐ 6.0

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False Roomers

1931⭐ 8.0

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Moonlight and Monkey Business

1930

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General Ginsberg

1930⭐ 8.0

Director

The Talk of Hollywood
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The Talk of Hollywood

1929⭐ 5.6

Director

Runaway Girls
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Runaway Girls

1928⭐ 8.0

Director

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A Lady Lion

1928⭐ 7.0

Director

Sword Points
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Sword Points

1928⭐ 6.5

Director

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Monty of the Mounted

1927⭐ 7.0

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The Movie Hound

1927⭐ 9.0

Director

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A Midsummer Night's Steam

1927

Director

Hello Sailor
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Hello Sailor

1927⭐ 9.0

Director

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Napoleon, Jr.

1926⭐ 9.0

Director

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Jerry the Giant

1926

Director

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